{"id":406,"date":"2020-11-06T18:55:51","date_gmt":"2020-11-06T18:55:51","guid":{"rendered":"http:\/\/www.sirinkirsehir40.com\/40\/?page_id=406"},"modified":"2026-02-01T15:58:14","modified_gmt":"2026-02-01T15:58:14","slug":"cekic-ali","status":"publish","type":"page","link":"https:\/\/sirinkirsehir40.com\/40\/cekic-ali\/","title":{"rendered":"\u00c7eki\u00e7 Ali"},"content":{"rendered":"

\"This\u00a0 \u00a0 \u00a0 \u00c7eki\u00e7 Ali \u00a0<\/span><\/code><\/code>\"This<\/code><\/strong><\/code><\/h1>\n\n
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\"\"<\/figure><\/div>\n\n

\"This\u00a0 \u00a0 \u00a0 Mahalli Sanat\u00e7\u0131 ve Kaynak Ki\u015fi \u00a0<\/span><\/code><\/code>\"This<\/code><\/strong><\/code><\/h1>\n\n\n

K\u0131r\u015fehir y\u00f6resi t\u00fcrk\u00fc ve bozlaklar\u0131n\u0131n isim yapm\u0131\u015f usta icrac\u0131lar\u0131ndan biridir \u00c7eki\u00e7 Ali\u2026 Hemen hemen t\u00fcm plak ve kasetlerinde “K\u0131r\u015fehir’li \u00c7eki\u00e7 Ali nam\u0131yla an\u0131lan sanat\u00e7\u0131m\u0131z, aslen Kaman’\u0131n Me\u015fe k\u00f6y\u00fcnden ve as\u0131l soyad\u0131 da Ersan’d\u0131r. 1932 y\u0131l\u0131nda do\u011fan \u00c7eki\u00e7 Ali’ye, “\u00e7eki\u00e7” lakab\u0131; \u00e7evikli\u011fi ve atakl\u0131\u011f\u0131n\u0131n yan\u0131 s\u0131ra, saz \u00e7al\u0131\u015f\u0131ndaki canl\u0131l\u0131k, dinamizm ve aciliteden dolay\u0131 verilmi\u015f. Hen\u00fcz \u00e7ocuk ya\u015flar\u0131nda iken k\u00f6y odalar\u0131nda saz \u00e7almaya ba\u015flayan sanat\u00e7\u0131ya b\u00fcy\u00fckleri taraf\u0131ndan tak\u0131lan bu lakap o kadar yayg\u0131nla\u015fm\u0131\u015f ki, as\u0131l ad\u0131 olan Ali’nin \u00f6n\u00fcne ge\u00e7erek, adeta as\u0131l ismi olmu\u015f.<\/p>\n\n\n\n

O y\u0131llarda \u0130stanbul’da faaliyet g\u00f6steren bir plak \u015firketi, \u00c7eki\u00e7 Ali’ye ait bir pla\u011f\u0131 izinsiz bas\u0131p \u00e7o\u011faltarak piyasaya s\u00fcrer. \u00c7eki\u00e7 Ali’nin hakl\u0131 itiraz\u0131na ise, tam bir “\u015fark kurnazl\u0131\u011f\u0131” \u00fcslubu ile “senin ad\u0131n \u00c7eki\u00e7 Ali de\u011fil ki, sen Ali Ersan’s\u0131n” diyerek g\u00fcya kendince sahtekarl\u0131\u011f\u0131na bir k\u0131l\u0131f uydurur. Bunun \u00fczerine Ali Ersan da, halk aras\u0131nda maruf ve me\u015fhur olan \u00c7eki\u00e7 Ali ismini hukuki yolla resmile\u015ftirerek \u00c7eki\u00e7 soyad\u0131n\u0131 al\u0131r ve yeni ad\u0131 “Ali \u00c7eki\u00e7” olur. Evet, Kaman’\u0131n Me\u015fe k\u00f6y\u00fcnden Ali Ersan’\u0131n “K\u0131r\u015fehirli \u00c7eki\u00e7 Ali” olmas\u0131n\u0131n k\u0131sa hikayesi b\u00f6yle\u2026<\/p>\n\n\n\n

Tabi hikayenin \u00f6z\u00fc, “K\u0131r\u015fehirli \u00c7eki\u00e7 Ali’yi K\u0131r\u015fehir t\u00fcrk\u00fc ve bozlaklar\u0131n\u0131n usta sanat\u00e7\u0131s\u0131” haline getiren o uzun, \u00e7ileli ve yorucu hayat\u0131n ayr\u0131nt\u0131lar\u0131nda gizli. \u015e\u00f6yle y\u00fcrek s\u0131zlatan bir saza sahip olman\u0131n hen\u00fcz hayal oldu\u011fu g\u00fcnlerde “toka\u00e7” \u0131 saz yaparak kendince t\u00fcrk\u00fcler \u00e7al\u0131p s\u00f6ylemeye ba\u015flad\u0131\u011f\u0131 y\u0131llardan itibaren bu hayat ger\u00e7ekten o kadar yorucu ve s\u0131k\u0131nt\u0131larla doludur ki, \u00c7eki\u00e7 Ali’nin o hassas ve ince kalbi b\u00fct\u00fcn bunlara \u00f6yle \u00e7ok uzun bir s\u00fcre dayanamayacak ve hen\u00fcz otuz be\u015f ya\u015f\u0131nda ilk ciddi uyar\u0131\u015f\u0131n\u0131 yapacakt\u0131r.<\/p>\n\n\n\n

Hac\u0131 Ta\u015fan’dan d\u00f6rt y\u0131l sonra, Ne\u015fet Erta\u015f’tan ise d\u00f6rt y\u0131l \u00f6nce d\u00fcnyaya gelen \u00c7eki\u00e7 Ali, 1973 y\u0131l\u0131n\u0131n yaz\u0131nda Ankara Y\u00fcksek \u0130htisas Hastanesi’nde kalbinden ameliyat olur ve bu ameliyattan iki y\u0131l sonra ge\u00e7irdi\u011fi beyin felci onu aram\u0131zdan ay\u0131r\u0131r. Bir sanat\u00e7\u0131 i\u00e7in hen\u00fcz olgunluk d\u00f6neminin ba\u015flar\u0131 say\u0131labilecek k\u0131rk bir ya\u015f\u0131nda 13 Eyl\u00fcl 1973’de hayata g\u00f6zlerini yuman \u00c7eki\u00e7 Ali, k\u0131vrak, atak saz\u0131; i\u00e7li ve yan\u0131k sesi ile s\u00f6yledi\u011fi t\u00fcrk\u00fclerle elbette g\u00f6nl\u00fcm\u00fczde ya\u015famaya devam edecektir. Bu kadar k\u0131sa bir hayata bunca t\u00fcrk\u00fcy\u00fc, bozla\u011f\u0131 s\u0131\u011fd\u0131rmak bir tarafa, ancak ayda y\u0131lda bir, bir ka\u00e7 t\u00fcrk\u00fcs\u00fcn\u00fcn yay\u0131nland\u0131\u011f\u0131 devlet radyosu ve belli say\u0131da bas\u0131lm\u0131\u015f 45’likler d\u0131\u015f\u0131nda hi\u00e7 bir imkan\u0131n olmad\u0131\u011f\u0131 y\u0131llarda “me\u015fhur ve usta sanat\u00e7\u0131 \u00c7eki\u00e7 Ali” olarak isim yapmak pek de kolay olmasa gerek.<\/p>\n\n\n\n

\u00c7eki\u00e7 Ali, bu seriden daha \u00f6nce yay\u0131nlanan Muharrem Erta\u015f ve Hac\u0131 Ta\u015fan ustalar\u0131n alb\u00fcm metinlerinde de s\u00f6yledi\u011fimiz gibi, ekme\u011fini y\u00f6re d\u00fc\u011f\u00fcnlerinde saz \u00e7al\u0131p t\u00fcrk\u00fc s\u00f6yleyerek kazanan abdal a\u015firetine mensup bir sanat\u00e7\u0131 olarak, Orta Anadolu abdal m\u00fczi\u011fi gelene\u011finin \u00f6nemli halkalar\u0131ndan birini te\u015fkil eder. Bu, Muharrem Erta\u015f Okulu’nun Hac\u0131 Ta\u015fan’la birlikte en yetkin temsilcisi s\u0131fat\u0131yla \u00c7eki\u00e7 Ali’ye hakl\u0131 bir \u00fcn kazand\u0131r\u0131r.<\/p>\n\n\n\n

Ger\u00e7i \u00c7eki\u00e7 Ali’nin, bir Hac\u0131 Ta\u015fan gibi Muharrem Usta’n\u0131n dizinin dibine oturarak birlikte bozlaklar, t\u00fcrk\u00fcler me\u015fk etmi\u015fli\u011fi, birlikte d\u00fc\u011f\u00fcn dernek kurmu\u015flu\u011fu yok ama, 1980’li y\u0131llara kadar, “ya\u015fayan en b\u00fcy\u00fck Abdal”s\u0131fat\u0131yla Muharrem Usta’n\u0131n manen tesirinde kalmam\u0131\u015f, onun \u00e7al\u0131p s\u00f6yledi\u011finden etkilenmemi\u015f a\u015firet mensubu sanat\u00e7\u0131 bulmak hemen hemen imkans\u0131z. Ayr\u0131ca bir akrabal\u0131k da s\u00f6z konusu ve Muharrem Erta\u015f, \u00c7eki\u00e7 Ali’nin e\u015fi Fatma Han\u0131m\u0131n day\u0131s\u0131. Muharrem Erta\u015f, “ustalar\u0131n ustas\u0131” diyebilece\u011fimiz Yusuf Usta ve day\u0131s\u0131 Bulduk Usta’dan tevar\u00fcs etti\u011fi gelene\u011fin o kadar g\u00fc\u00e7l\u00fc bir temsilcisidir ki gah bir silah gibi patlayan, gah bir g\u00f6k g\u00fcrlemesi gibi u\u011fuldayan o parlak ve tiz sesini dinleyip de etkisinde kalmamak elbette m\u00fcmk\u00fcn de\u011fil<\/p>\n\n\n\n

\u00c7eki\u00e7 Ali de, her ger\u00e7ek sanat\u00e7\u0131da g\u00f6rd\u00fc\u011f\u00fcm\u00fcz gibi, bu etkiyi kendi i\u00e7 d\u00fcnyas\u0131nda yo\u011furarak ki\u015fisel zevk ve \u00fcslup s\u00fczgecinden ge\u00e7irmi\u015f ve ustas\u0131n\u0131 taklit etmeyen, ama ondan ald\u0131\u011f\u0131 ilhamla yeni bir zevk ve g\u00fczellik pe\u015finde olan bir sanat\u00e7\u0131 portresi ortaya koymu\u015ftur. Bu portre olduk\u00e7a ba\u015far\u0131l\u0131 ve pek \u00e7ok y\u00f6nden de orijinal bir sentezdir ayn\u0131 zamanda.<\/p>\n\n\n\n

\u00c7eki\u00e7 Ali’nin sanat\u0131n\u0131n, ba\u015fta Muharrem Usta olmak \u00fczere, Hac\u0131 Ta\u015fan ve Ne\u015fet Erta\u015f’la olan benzerlik ve farkl\u0131l\u0131klar\u0131n\u0131n neler oldu\u011funa da k\u0131saca de\u011finmekte fayda var. Zira uzaktan ve genel bir bak\u0131\u015fla birbirlerine \u00e7ok benzer gibi g\u00f6r\u00fcnen bu sanat\u00e7\u0131lar\u0131n bu sanat\u00e7\u0131lar\u0131n birbirleriyle olan benzerlikleri ve farkl\u0131l\u0131klar\u0131 asl\u0131nda olduk\u00e7a \u00f6nemli ve\/ fakat uzun bir bahistir. \u00d6nemlidir; \u00e7\u00fcnk\u00fc bizde m\u00fczik, \u00f6zellikle halk m\u00fczi\u011fi alan\u0131nda, bu anlamda bir \u00fcslup tahlili bug\u00fcne kadar yap\u0131lmad\u0131\u011f\u0131 i\u00e7in, farkl\u0131l\u0131klar, n\u00fcanslar ve incelikler \u00fczerine kurulu bir sanat olan m\u00fczi\u011fi ger\u00e7ek boyutlar\u0131 ile kavramakta zorlan\u0131yoruz.<\/p>\n\n\n\n

Muharrem Erta\u015f, Hac\u0131 Ta\u015fan ve Ne\u015fet Erta\u015f’ta ayr\u0131 ayr\u0131 kar\u015f\u0131m\u0131za \u00e7\u0131kan baz\u0131 \u00f6zelliklerin belli \u00f6l\u00e7\u00fclerde \u00c7eki\u00e7 Ali’de bir arada bulundu\u011funu g\u00f6r\u00fcyoruz. Onda bir Muharrem Ustadaki heybeti, Hac\u0131 Ta\u015fan’daki sanatsal derinli\u011fi ve Ne\u015fet Erta\u015f’daki yarat\u0131c\u0131 yetene\u011fi bekli bulamayabiliriz, fakat \u00c7eki\u00e7 Ali’yi farkl\u0131 ve kendine has k\u0131lan \u00f6zelliklerine bakt\u0131\u011f\u0131m\u0131zda \u015funlar\u0131 g\u00f6r\u00fcr\u00fcz : Onun sesi, kelimenin tam anlam\u0131yla lirik, duygulu ve yan\u0131k bir sestir. \u00c7ok yumu\u015fak bir g\u0131rtla\u011f\u0131 vard\u0131r ve y\u00f6re m\u00fczisyenlerinin hepsinde kar\u015f\u0131m\u0131za \u00e7\u0131kan ses \u00e7arpmalar\u0131, orijinal g\u0131rtlak na\u011fmeleri, titretme ve triller, kelimenin telaffuz ve vurgular\u0131ndaki hususilik \u00c7eki\u00e7 Ali’de en rafine \u015fekliyle kar\u015f\u0131m\u0131z \u00e7\u0131kar.<\/p>\n\n\n\n

Fakat onun as\u0131l orijinal y\u00f6n\u00fc, saz \u00e7alma teknik ve \u00fcslubunda kendini g\u00f6sterir. \u00c7eki\u00e7 Ali’nin saz\u0131ndan bazen uda, bazen c\u00fcmb\u00fc\u015fe benzer sesler duyar\u0131z ve teller \u00fczerindeki parmaklar\u0131n ve tezenenin kelebekler gibi u\u00e7u\u015ftu\u011funu hissederiz. \u00c7eki\u00e7 Ali’nin 1960’l\u0131 y\u0131llarda, Bayram Arac\u0131 ile birlikte son derece seri ve h\u0131zl\u0131 ba\u011flama \u00e7almay\u0131 yayg\u0131nla\u015ft\u0131ran sanat\u00e7\u0131lardan biri oldu\u011funu da s\u00f6yleyelim. Bu tav\u0131r ve edan\u0131n \u00f6zellikle o\u011flu Ayd\u0131n \u00c7eki\u00e7’te devam etti\u011fini g\u00f6r\u00fcyoruz. Ayd\u0131n \u00c7eki\u00e7, sesi ve ba\u011flamas\u0131 ile K\u0131r\u015fehir y\u00f6resi t\u00fcrk\u00fc ve havalar\u0131n\u0131n g\u00fcn\u00fcm\u00fczdeki ba\u015far\u0131l\u0131 icrac\u0131lar\u0131ndan biri olarak sanat\u0131n\u0131 s\u00fcrd\u00fcrmektedir.<\/p>\n\n\n\n

\u00c7eki\u00e7 Ali de, ustas\u0131 Muharrem Erta\u015f, arkada\u015f\u0131 merhum Hac\u0131 Ta\u015fan ve \u00fcstad Ne\u015fet Erta\u015f gibi \u00e7ok k\u00fc\u00e7\u00fck ya\u015flarda y\u00f6re d\u00fc\u011f\u00fcnlerine “\u00e7alg\u0131c\u0131” olarak giderek meslekte kendini yeti\u015ftirmi\u015ftir. Ne\u015fet Erta\u015f, babas\u0131 olmadan tek ba\u015f\u0131na d\u00fc\u011f\u00fcn \u00e7almaya ilk olarak \u00c7eki\u00e7 Ali’nin yan\u0131nda gitti\u011fini s\u00f6yl\u00fcyor. Y\u00f6resel tabirle d\u00fc\u011f\u00fcnlerde “\u00e7alg\u0131c\u0131l\u0131k” yapman\u0131n; \u00e7al\u0131p \u00e7\u0131\u011f\u0131rmak d\u0131\u015f\u0131nda ellerinden fazla bir i\u015f gelmeyen bu insanlar i\u00e7in yegane meslek, me\u015fguliyet ve ayn\u0131 zamanda da iyi bir r\u0131z\u0131k kap\u0131s\u0131 oldu\u011funu s\u00f6yleyelim.<\/p>\n\n\n\n

D\u00fc\u011f\u00fcn \u00e7alman\u0131n d\u0131\u015f\u0131nda, y\u00f6re folklorik oyunlar\u0131 ve m\u00fczikleriyle de ilgilenen \u00c7eki\u00e7 Ali’nin 1969 y\u0131l\u0131nda \u0130stanbul’da d\u00fczenlenen ulusal bir yar\u0131\u015fmada ekibine kazand\u0131rd\u0131\u011f\u0131 bir de birincilik var. \u00d6zel bir bankan\u0131n d\u00fczenledi\u011fi 9.Halk Oyunlar\u0131 Festivali’ne kat\u0131lan K\u0131r\u015fehir halk oyunlar\u0131 ekibinin ba\u015f\u0131nda elinde saz\u0131 ile \u00c7eki\u00e7 Ali vard\u0131r ve birincili\u011fi K\u0131r\u015fehir ekibi kazan\u0131r. Bu ba\u015far\u0131da \u015f\u00fcphesiz K\u0131r\u015fehir halay ve oyunlar\u0131n\u0131n g\u00fczelli\u011fi yan\u0131nda, bu halay ve oyunlar\u0131 ustaca \u00e7alan ve t\u00fcrk\u00fclerini ba\u015far\u0131yla icra eden \u00c7eki\u00e7 Ali’nin bireysel katk\u0131s\u0131n\u0131 g\u00f6z ard\u0131 etmemek gerek.<\/p>\n\n\n\n

\u00c7eki\u00e7 Ali, mektep medrese g\u00f6rmemi\u015f, do\u011fu\u015ftan getirdi\u011fi Allah vergisi sanat\u00e7\u0131l\u0131k yetene\u011fini uygun \u015fartlarda ve ortamlarda geli\u015ftirerek kendi kendini yeti\u015ftirmi\u015f “alayl\u0131 sanat\u00e7\u0131lar” ku\u015fa\u011f\u0131na mensup bir sanat\u00e7\u0131d\u0131r. Bu gelene\u011fin di\u011fer ustalar\u0131 gibi o da i\u00e7inde do\u011fup b\u00fcy\u00fcd\u00fc\u011f\u00fc toplumu ve bu toplumun ne\u015fesini, h\u00fczn\u00fcn\u00fc, a\u011f\u0131d\u0131n\u0131, oyununu, e\u011flencesini dile getirmi\u015ftir. Bunu da sanat yapmak i\u00e7in de\u011fil, \u00e7al\u0131p okumay\u0131 tabii bir hayat tarz\u0131 olarak benimsedi\u011fi i\u00e7in yapm\u0131\u015ft\u0131r. Tabiilik (do\u011fall\u0131k) ve kendili\u011findenlik (spontane), \u00c7eki\u00e7 Ali’nin \u00fcslubunun en belirgin iki \u00f6zelli\u011fi say\u0131labilir.<\/p>\n\n\n\n

\u00c7eki\u00e7 Ali’nin hem sesinde, hem saz\u0131nda \u00f6ylesine kendine has bir renkle kar\u015f\u0131la\u015f\u0131r\u0131z ki, bu daha ilk m\u00fczik c\u00fcmlesinde kendini hemen belli eder. Ba\u015fta Muharrem Usta olmak \u00fczere Hac\u0131 Ta\u015fan\u0131n, Ne\u015fet Erta\u015f’\u0131n da okudu\u011fu baz\u0131 t\u00fcrk\u00fcleri ve havalar\u0131 (Biter K\u0131r\u015fehir’in G\u00fclleri Biter, Acem K\u0131z\u0131 vb.) tamamen kendine has bir tav\u0131rla yorumlayarak, adeta okudu\u011fu her eserin alt\u0131na kolay kolay silinemeyecek g\u00fc\u00e7l\u00fc bir imza atar.<\/p>\n\n\n\n

Saz\u0131n\u0131 sesine, sesini de saz\u0131na \u00f6ylesine yak\u0131nla\u015ft\u0131r\u0131r ki, sazla sesin birlikteli\u011fi ve i\u00e7 \u0130\u00e7elli\u011fi olduk\u00e7a etkileyici bir m\u00fczik dili ortaya \u00e7\u0131kar\u0131r. S\u00f6yler gibi \u00e7alan, \u00e7alar gibi s\u00f6yleyen bir \u00fcslup\u2026 \u00c7eki\u00e7 Ali ba\u011flamay\u0131 Muharrem Erta\u015f ve Hac\u0131 Ta\u015fandan biraz farkl\u0131 bir stilde ve karar sesini klavyedeki ikinci oktav “re perdesi” ne ta\u015f\u0131yarak \u00e7alar. Muharrem Erta\u015f’\u0131n s\u00fcrekli, Hac\u0131 Ta\u015fan\u0131n ise zaman zaman yapt\u0131\u011f\u0131 bo\u015f alt teli (la perdesi) karar sesi kabul eden icra \u015fekli yerine ” re \u00fczeri” icray\u0131 tercih etmi\u015ftir. Ne\u015fet Erta\u015f’\u0131n da -daha \u00e7ok Bayram Arac\u0131ndan hareketle- bu tarz\u0131 benimsemesi ile, “bozuk d\u00fczen ba\u011flama” da (la-re-sol) “re \u00fczeri” icra b\u00fcy\u00fck bir yayg\u0131nl\u0131k kazan\u0131r. Y\u00f6re tavr\u0131n\u0131n icras\u0131na ve acilite g\u00f6stermeye daha uygun gelebilecek bu tarz, asl\u0131nda sanat\u00e7\u0131ya sundu\u011fu ses alan\u0131 itibariyle \u00f6b\u00fcr\u00fcne g\u00f6re daha s\u0131n\u0131rl\u0131 imkanlara sahip olmas\u0131na ra\u011fmen, bug\u00fcn y\u00f6re sanat\u00e7\u0131lar\u0131n\u0131n bu tarz icray\u0131 benimsemi\u015f durumdalar.<\/p>\n\n\n\n

\u00c7eki\u00e7 Ali’nin repertuar\u0131n\u0131n \u00f6nemli \u00f6l\u00e7\u00fcde anonim t\u00fcrk\u00fc ve a\u011f\u0131tlardan olu\u015ftu\u011funu g\u00f6r\u00fcyoruz. S\u00f6zleri kendisine ait hemen hemen hi\u00e7bir t\u00fcrk\u00fcs\u00fc olmad\u0131\u011f\u0131 gibi, kendisinin “havaland\u0131rd\u0131\u011f\u0131 \/ m\u00fcziklendirdi\u011fi” bir eseri de yoktur bilindi\u011fi kadar\u0131 ile. Bu tesbitin Muharrem Erta\u015f ve Hac\u0131 Ta\u015fan i\u00e7in de ge\u00e7erli oldu\u011funu s\u00f6yleyelim. Asl\u0131nda Ne\u015fet Erta\u015f bu alanda da bir \u00e7\u0131\u011f\u0131r a\u00e7arak klasik t\u00fcrk\u00fc ve bozlak formunda say\u0131s\u0131z eserin s\u00f6z ve m\u00fcziklerine imza atm\u0131\u015f bir sanat\u00e7\u0131d\u0131r.<\/p>\n\n\n\n

\u00c7eki\u00e7 Ali’nin okudu\u011fu t\u00fcrk\u00fclerin baz\u0131lar\u0131 (Acem K\u0131z\u0131, Aziziye gibi) y\u00f6re m\u00fczik k\u00fclt\u00fcr\u00fcn\u00fcn a\u011f\u0131rl\u0131kl\u0131 karakteristik ezgileri olmakla beraber, \u00e7o\u011fu da oyun t\u00fcrk\u00fcleri ve oyun havalar\u0131ndan olu\u015fmakta. A\u011f\u0131tlar ise, y\u00f6rede ya\u015fanm\u0131\u015f ac\u0131l\u0131, trajik olaylar \u00fczerine s\u00f6ylenmi\u015f anonim s\u00f6z ve ezgilerin yan\u0131 s\u0131ra, en \u00e7ok da Toklumenli A\u015f\u0131k Said’in (1835-1910) ve A\u015f\u0131k Said’in o\u011flu A\u015f\u0131k Seyfullah’\u0131n (1896-1968) \u015fiirleri \u00fczerine s\u00f6ylenmi\u015f a\u011f\u0131t \/ bozlaklardan ibaret. K\u0131z\u0131l\u0131rmak, Do\u011far Yaz Aylar\u0131, Sar\u0131 Yazma Yak\u0131\u015fmaz m\u0131 G\u00fczele vb. bozlaklar bunlardan baz\u0131lar\u0131.<\/p>\n\n\n\n

Muharrem Erta\u015f Okulu’nun \u00fc\u00e7 \u00f6nemli isimlerinden biri olan rahmetli \u00c7eki\u00e7 Ali’yi de b\u00f6ylesine derli toplu bir \u015fekilde ilk defa m\u00fczik kamuoyuna takdim eden elinizdeki bu alb\u00fcm ile, elbette ba\u015fta b\u00fcy\u00fck usta Muharrem Erta\u015f olmak \u00fczere, “bozlak” gelene\u011finin \u00e7a\u011f\u0131m\u0131zdaki \u00fc\u00e7 b\u00fcy\u00fck ustas\u0131n\u0131 ( Hac\u0131 Ta\u015fan, \u00c7eki\u00e7 Ali ve Ne\u015fet Erta\u015f) t\u00fcm T\u00fcrk ve d\u00fcnya m\u00fczikoloji ve etnom\u00fczikoloji \u00e7evrelerine tan\u0131tm\u0131\u015f bulunuyoruz. Yaln\u0131z bir noktay\u0131 \u00f6nemle vurgulamak isterim: Geleneksel kapal\u0131 toplum yap\u0131lar\u0131n\u0131 m\u00fcmk\u00fcn oldu\u011funca korumaya \u00e7al\u0131\u015farak herkesle dost ve karde\u015f\u00e7e ya\u015famay\u0131 s\u00fcrd\u00fcren \u00fclkemizin \u00e7e\u015fitli y\u00f6relerindeki abdal a\u015firetleri, m\u00fczik itibariyle \u00f6yle zengin bir potansiyele sahipler ki bu zenginli\u011fin \u00fclke m\u00fczik ve k\u00fclt\u00fcr birikimine mutlaka dahil edilmesi gerekiyor.
Bu sanat\u00e7\u0131lar, Orta Asya k\u00f6kenli ozanl\u0131k \/ bah\u015f\u0131l\u0131k gelene\u011finin -Anadolu topraklar\u0131ndaki tarihi, sosyal ve k\u00fclt\u00fcrel ili\u015fkilerin \u015fekillendirdi\u011fi yeni tarz ve \u00fcsluplar\u0131yla- \u00e7a\u011f\u0131m\u0131zdaki en \u00f6zg\u00fcn temsilcisidir ayn\u0131 zamanda.
Bu ekol\u00fc g\u00fcn\u00fcm\u00fczde amat\u00f6r ya da profesyonel olarak s\u00fcrd\u00fcren o kadar \u00e7ok sanat\u00e7\u0131 var ki, isimlerini alt alta s\u0131ralamak bile sayfalar tutabilir. Tabi bu sanat\u00e7\u0131lardan yar\u0131nlara kimler kalacakt\u0131r, \u015fimdiden s\u00f6ylemek m\u00fcmk\u00fcn de\u011fil. Ancak \u015fu kadar\u0131n\u0131 s\u00f6yleyelim ; bu \u00f6ylesine g\u00fcr ve g\u00fcmrah bir damar ki, her ge\u00e7en g\u00fcn biraz daha geli\u015fip serpilerek Anadolu T\u00fcrk M\u00fczik K\u00fclt\u00fcr\u00fc i\u00e7indeki a\u011f\u0131rl\u0131kl\u0131 yerini korumaya devam etmektedir. Elbette de\u011fi\u015fen ve artan dozlarda yozla\u015fmay\u0131, dejenerasyonu ve ba\u015fkala\u015fmay\u0131 da b\u00fcnyesinde ta\u015f\u0131yarak. <\/p>\n\n\n\n

Kaynakl\u0131k etti\u011fi t\u00fcrk\u00fclerden baz\u0131lar\u0131:
Acem G\u0131z\u0131, \u0130rafa Koydum Nar\u0131, Topak Da\u015f\u0131n Kenar\u0131, \u00c7orab\u0131n Enine Bak, Yarin Yaylas\u0131na Seyrana Vard\u0131m\u2026<\/p>\n\n\n\n

T\u00fcrk halk m\u00fczi\u011fi sanat\u00e7\u0131s\u0131 \u00c7eki\u00e7 Ali<\/strong>‘nin mezar\u0131, do\u011fdu\u011fu yer olan K\u0131r\u015fehir<\/strong>‘in Kaman<\/strong> il\u00e7esine ba\u011fl\u0131 Me\u015fek\u00f6y’de (eski ad\u0131yla Me\u015fe K\u00f6y\u00fc) bulunmaktad\u0131r. 13 Eyl\u00fcl 1973’te vefat eden sanat\u00e7\u0131, vasiyeti \u00fczerine Kaman’daki k\u00f6y mezarl\u0131\u011f\u0131na defnedilmi\u015ftir.<\/h5>\n\n\n\n

<\/h2>\n\n\n\n
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\"This\u00a0 \u00a0 \u00a0<\/strong>\"This<\/code><\/strong><\/code><\/h1>\n\n\n

\"ThisŞirin Kırşehir Sitesi \"This
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\n\"Thise-posta: ŞİRİN KIRŞEHİR İNFO<\/a>\"This
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\u00a0 \u00a0 \u00a0 \u00c7eki\u00e7 Ali \u00a0 \u00a0 \u00a0 \u00a0 Mahalli Sanat\u00e7\u0131 ve Kaynak Ki\u015fi \u00a0 K\u0131r\u015fehir y\u00f6resi t\u00fcrk\u00fc ve bozlaklar\u0131n\u0131n isim yapm\u0131\u015f usta icrac\u0131lar\u0131ndan biridir \u00c7eki\u00e7 Ali\u2026 Hemen hemen t\u00fcm plak ve kasetlerinde “K\u0131r\u015fehir’li \u00c7eki\u00e7 Ali nam\u0131yla an\u0131lan sanat\u00e7\u0131m\u0131z, aslen …<\/p>\n

Continue Reading→<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-templates\/sirinkirsehir_page.php","meta":{"footnotes":""},"class_list":["post-406","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/sirinkirsehir40.com\/40\/wp-json\/wp\/v2\/pages\/406","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sirinkirsehir40.com\/40\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sirinkirsehir40.com\/40\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sirinkirsehir40.com\/40\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/sirinkirsehir40.com\/40\/wp-json\/wp\/v2\/comments?post=406"}],"version-history":[{"count":12,"href":"https:\/\/sirinkirsehir40.com\/40\/wp-json\/wp\/v2\/pages\/406\/revisions"}],"predecessor-version":[{"id":2880,"href":"https:\/\/sirinkirsehir40.com\/40\/wp-json\/wp\/v2\/pages\/406\/revisions\/2880"}],"wp:attachment":[{"href":"https:\/\/sirinkirsehir40.com\/40\/wp-json\/wp\/v2\/media?parent=406"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}